Film and Video Editors

Tasks

Core Tasks Include:

• Cut shot sequences to different angles at specific points in scenes, making each individual cut as fluid and seamless as possible.
• Study scripts to become familiar with production concepts and requirements.
• Edit films and videotapes to insert music, dialogue, and sound effects, to arrange films into sequences, and to correct errors, using editing equipment.
• Select and combine the most effective shots of each scene to form a logical and smoothly running story.
• Verify key numbers and time codes on materials.
• Organize and string together raw footage into a continuous whole according to scripts or the instructions of directors and producers.
• Review assembled films or edited videotapes on screens or monitors to determine if corrections are necessary.
• Program computerized graphic effects.
• Review footage sequence by sequence to become familiar with it before assembling it into a final product.
• Set up and operate computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product.
• Manipulate plot, score, sound, and graphics to make the parts into a continuous whole, working closely with people in audio, visual, music, optical, or special effects departments.
• Supervise and coordinate activities of workers engaged in film editing, assembling, and recording activities.
• Trim film segments to specified lengths and reassemble segments in sequences that present stories with maximum effect.

Supplemental Tasks Include:

• Mark frames where a particular shot or piece of sound is to begin or end.
• Determine the specific audio and visual effects and music necessary to complete films.
• Record needed sounds or obtain them from sound effects libraries.
• Confer with producers and directors concerning layout or editing approaches needed to increase dramatic or entertainment value of productions.
• Develop post-production models for films.
• Piece sounds together to develop film soundtracks.
• Conduct film screenings for directors and members of production staffs.
• Collaborate with music editors to select appropriate passages of music and develop production scores.
• Discuss the sound requirements of pictures with sound effects editors.
• Estimate how long audiences watching comedies will laugh at each gag line or situation to space scenes appropriately.

The data sources for the information displayed here include: O*NET™. (Using onet28)